Bumper Chain Cosmic #33: Do Geese See God? (6/16/23)
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3:03:29 – Shame On Writers (Alpha Male Project, Attribution NC SA 4.0 International), 99.9 (Pics Frunk, Attribution NC SA 3.0), Train Ride (The Maravines, Public Domain Mark 1.0), Louisville Lou (That Vampin’ Lady) (Arthur Gibbs Gang, 1923, public domain), Unplugged (MyCatIsGreen, Attribution NC ND 3.0), panasonic incoming (Chad Clark, CC 1.0 Universal), Gene and Mary Ann’s 40th Anniversary (Chad Clark, CC0 1.0 Universal), Solitary Man (Neil Diamond cover) (Gene Pool live at McKeller’s Pub, Flint, MI on 4/15/1994, Attribution NC 3.0 U.S.), Mellitus Street 135 (Marina Carbone, Attribution NC SA 4.0 International), Lum and Abner: Squire Goes To See a Lawyer (6/26/1935), KTVI Channel 2 (ABC) St. Louis Commercials – 1/23/1984 (from archive.org), Turkey in the Straw (Billy Golden, 1891, public domain), TCM Open to Citizen Kane – c. 2002 (from archive.org), The Family Cookout (Shambles Constant, field recording from 6/21/1997), KFKF 94.1 Kansas City aircheck – 4/21/1986 (scoped) (from archive.org), Sanctuary (Adam Majdecki-Janicki, Attribution NC 4.0 International), Lum and Abner: Notice of Lawsuit (6/27/1935), 1950s teenage girl’s audio letter to her parents (from YouTube), The Novel is Doomed, Will Harben Thinks – New York Times article from 10/3/1915 (Librivox, public domain), Friend of the Devil (Grateful Dead cover) (Gene Pool live at McKeller’s Pub, Flint, MI on 4/15/1994, Attribution NC 3.0 U.S.), KBTV/ABC commercials – 7/27/1980 part 1 (from archive.org), Nocturnal Graffiti (A.J. Kaufmann, Attribution NC ND 4.0 International), KBTV/ABC commercials – 7/27/1980 part 2 (from archive.org), Before We Began (Keshco, Attribution NC SA 3.0). BCC 033.
License for this track: Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License (creativecommons.org/licenses/by-nc-nd/3.0/). Attribution: by Shambles Constant, Falling Cow Productions – more info at onsug.com
Released June 2023 on The Overnightscape Underground (onsug.com), an Internet talk radio channel focusing on a freeform monologue style, with diverse and clever individuals who say stuff and record it and let other people hear it.
