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24:25 – Thanking people for Australian bushfire feedback, Malcolm Turnbull’d internet, pronouncing abbreviations as acronyms (PPPoE… pehpehpehooee?), the Ricoh GR III camera, finding a stream and an old key in a forest near Cammeray, the plight of inefficient portable air conditioners, wooden shelving, and various challenges when selling incomplete anime figures.
Recorded in Sydney, Australia. Licence for this track: Creative Commons Attribution 3.0. Attribution: Ruben Schade.
Released January 2020 on Rubenerd and The Overnightscape Underground, an Internet talk radio channel focusing on a freeform monologue style, with diverse and fascinating hosts; this one notwithstanding.
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1:40:48 – Geoff Sink, Doc Sleaze, and Frank Edward Nora contribute to this internetty episode of the show that YOU can and should already be participating in!
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License.
Overall attribution by PQ Ribber , all other hosts appear courtesy of themselves.
Released March 2013 on The Overnightscape Underground (onsug.com), an Internet talk radio channel focusing on a freeform monologue style, with diverse and fascinating hosts presenting  an array of talk-driven programs that are inspired by the Magic of the Human Voice!
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10:01 – PQ Ribber is back after a weird Labor Day pre and weekend that saw a PC bite the dust and lots of other wackiness with the first of TEN SHOWS IN TEN DAYS (If not faster!) Â He tells you about a cool buncha Soviet/Bloc cartoons (catch em while you can), Bob and Ray and the vagaries of copyright and persistency of internet. Â Music is played (Hayseed Rag by the Dizzy Trio with early Borah Minovich on the Mouth Organ) and PQ gives you an update on Conspiracy of the Insignificant visual art projects including Fruitcake Toothpaste’s show at the Happy Belly Deli, in Truth or Consequences, New Mexico!
Attribution by PQ Ribber .
Released September 2010 on The Overnightscape Underground (onsug.com), an Internet talk radio channel focusing on a freeform monologue style, with diverse and fascinating hosts and amazingly unique programs.
